News

Fashion News: Baby bikini onesie is one step too far for parents

The bikini had its 66th birthday this week – and it’s still stirring up trouble. First, the trouble:

Parents in Southaven, Miss., are complaining about a baby onesie on sale at a local department store that’s printed to look like a woman’s figure wearing a bikini. ”It gives people the wrong idea too quickly,” one father said. To think only a couple of years ago, all we had to worry about was tweens’ clothing being overly sexualized, not babies.

Now the birthday: The bikini was introduced to the world by designer Louis Réard in Paris on July 5,  1946, changing the look of women’s swimwear forever. An engineer who also helped run his mother’s clothing boutique, he marketed the garment as being ”smaller than the world’s smallest bathing suit.” The only woman who would model his prototype was Micheline Bernardini,  a 19-year-old nude dancer at the Casino de Paris. How times have changed. Fashionista looks back through the years at famous bikinis (like Princess Leia’s slave ensemble and Marilyn Monroe’s suit  in “Something’s Got to Give.”)

The fall couture shows in Paris wrapped up with models wearing beaded face masks at Maison Martin Margiela, textured gowns at Valentino and fantasy one-of-a-kind clothes at Jean Paul Gaultier.
Bette Midler and her daughter Sophie were front and center among viewers of the Gaultier show.
Hedi Slimane’s first two collections as creative director for Yves Saint Laurent were shown only to customers, no media allowed, but word is leaking out that the resort collection he showed in Paris this week hearkened back to the label’s founder with cigarette pants, tuxedo shirts, skinny suits and little silk dresses.

In its August issue, Seventeen magazine plans to run an editor’s letter pledging to use only “real girls and models who are healthy” (i.e., not underweight) and not to digitally alter photos to change a model’s face or body shape. To prove they are sticking to what they are calling the “body peace treaty,”  the staff will post behind-the-scenes images from photo shoots on its Tumblr blog.

Christian Louboutin on Wednesday unveiled the slipper he’s created in honor of  Disney’s planned “Cinderella” Diamond Edition release on Blu-ray this fall. The mini-platform heels are made of white lace and Swarovski crystals — glass would have been kind of dangerous — with Louboutin’s signature red sole. These shoes won’t be available for purchase. Instead, 20 pairs are to be given away. Details about the giveaway are to be announced in August.

Professional

Posted by admin | Professional | Tags: | Wednesday 20 June 2012 12:58 am

A friend of mine, upon my telling him that I was starting work on “God of Carnage,” said that it would only work well if the actors in it are friends; it would be difficult if you hated the people you are working with. Fortunately, Bobby Garcia assembled a cast of actors that all like and respect each other very much.
I had worked with everyone else before, with the exception of Art Acuña, to whom I was only briefly professionally exposed while hiding in my brother’s studio during a recording session of “The Kitchen Musical.”
Working with Adrian Pang on “They’re Playing Our Song” was just so lovely, so I anticipated this time to be more of the same.
Menchu Lauchengco-Yulo is not only a professional teammate, but also a good friend (and a ninang to my daughter Nicole).
Bobby and I have worked and played together for over 10 years, starting with “Proof.” He’s only grown in leaps and bounds as a director and a friend. This is our seventh play together.

No easy rehearsal
Rehearsing a play like “God of Carnage” wasn’t exactly easy to plot out. The moment the lights go on, the action begins and never stops. There are no blackouts, no costume changes. Everything happens in real time.
So, there weren’t “scenes” in the traditional sense of the word. We had to go by page number or acting beat, with Bobby having plotted out our rehearsal sequence beforehand. But then it would also depend on how fast or slow we were progressing.
The first 12 to 15 pages were probably the most difficult to learn and set up properly. Menchu, herself an acclaimed director, said that “exposition is always the most difficult.” She wasn’t kidding. It was hard to learn, to get the words in my head; it was arduous to plot where conversations were heading, in the way that unplanned and awkward small talk can’t always be predicted.